“I was alone in the cold of a winter’s day, you were alone so snug in your bed”
Yeah, I know my obligations, so let me begin by joining in the chorus of lamentation over the final flight of “Songbird” C. McVie, for whom I have long carried a respectful torch. Much credit is due to her — for her pioneering work both behind the Fleetwood Mac microphone and on the FM keyboard bench. While Rock and Roll features many great ladies, she was certainly the first, arguably the best (and maybe the only) female band member to drive an entire ensemble. Much more than psychedelic eye/ear candy (though this, undoubtedly, she was), she also served as both a principal instrumentalist and songwriter.
Of what other sixties sirens can this be said?
But with this out of the way, I must now strongly state what is obvious – at least to all of us aging, crusty, curmudgeonly rockers: Fleetwood Mac was a much better band before the arrival of those impossibly fetching California kids – Lindsay Buckingham and Stevie Nicks, than it has been across their five decades of smarmy pop sensuality.
Of course, I’m supposed to think this, but nonetheless I do.
FM was conceived out of that prolific womb of Brit Blues Rock: John Mayall & the Bluesbreakers. They went through many lineup changes but hit on their peak combination with the insertion of Christine on the piano. The albums this quintet released – “Mystery to Me”, “Heroes are Hard to Find” and their masterwork: “Bare Trees”, stand up to the best works of that sublime era. After which, by all appearance, the band appeared to be headed into oblivion.
Then, almost if by chance, the crew met Lindsay Buckingham – in L.A. – natch. Asked him to join, but he insisted on bringing the delicious Stevie along with him. They assented, and it was the ruination of two bands. Because Buckingham/Nicks was a fine duo. As fates would have it, they kludged it all together, and released two of the most over-rated records in modern music history. The songs demanded nothing of the listener, and the salacious, incestuous bed hopping between band mates became the stuff of trite, weary legend. The songs themselves refuse to die.
One could argue (as I myself might) that the monster success of “Fleetwood Mac” and “Rumors” brought about the end of the golden age of Rock and Roll. Everybody copied their vibe. Exit the unkempt one-finger salute to the man; enter an over-produced idiom where optics and branding became, at minimum, co-equal to the Almighty Riff. Even the Grateful Dead (FFS) hired their producer, who engaged a stylist to coif up Jerry’s hair. They did about as well (badly) as one would expect with this, and we had to console ourselves with the marvelous tresses of our two golden haired Mac ladies, as well as that of Peter Frampton.
But the music devolved, and, except in rare snippets, has never re-ascended.
All of which bring us to the markets. Which hardly peaked in the mid-70’s but, like our fave bands from the Golden era, have seen better days.
However, like the ears of my peers two generations ago, we hoover up what we can get. Thus far in Q4, risk assets of every stripe are up considerably, some, improbably like the Gallant 500 and Investment Grade Corporate Credit, double digits.
And why not? Economic activity appears to be robust, as witnessed most recently by the boffo November Jobs Report, released this past Friday morning. Wages are up; gasoline prices are down.
And Madame X has dropped her yield skirts an astonishing >20% over this same interval:
As December unfolds, bells are ringing, pipers are piping, shoppers are shopping. There’s still a war in Eastern Europe, but we seem to have lost interest in it. We enter ’23 in blissful anticipation of a neutered 118th Congress. There are some vague issues in jurisdictions such as China, Iran and North Korea, but what of that?
Thus far, and with due respect to the victims, the FTX saga unfolds more like a perfect Netflix docudrama than an earth-shattering bloodbath. There are those that believe the episode marks a death knell for crypto in general. But the numbers give the lie to said assertion. The key liquid coins are down a bit since the story broke but are flat to up over the ensuing three weeks.
Thus, crypto abides. At least for now.
So, too, and this eternally, does risk. Yes, there are some worrying signs on the horizon. Lots of\ spit-balling about troubles in the land markets, and massive, elegantly named Real-Estate Investment Trust run by Blackstone (ticker symbol: BREIT) announced that it is restricting withdrawals.
This, my friends, is indeed unsettling, and, combined with the FTX drama, foretells of a rash of markdowns-to-reality of a wide variety of illiquid assets.
This, indeed, will be an unpleasant, if cosmically welcoming, development.
But I reckon for now we can live, nay, even benefit, from a downward adjustment to housing/real estate prices, which were too danged expensive, and this by a significant amount, for anyone’s liking anyway.
We’ve now only the 12/14 FOMC meeting to endure, and it’s bound to be a dreary affair. But the outcome is perhaps already foretold. They’ll go 50, and push Fed-Effective above 4%.
On the whole, though, I don’t see much downside risk for the remainder of Terrible ’22. I’m not sure I’d be doing any frenzied shopping up here, and I wouldn’t be inclined for much rejoicing over what you own.
But given where we are now, you’re probably OK buying what you will.
I myself would recommend “Bare Trees”. By Fleetwood Mac. The old (though not original) Fleetwood Mac.
They don’t make records like that anymore; maybe they never did. For decades, sometimes generations, we buy and listen to what our fashionable betters instruct us we ought. I reckon this is true in both the markets and the music.
Likely, some of these days, the skies will brighten, and the trees will shed their bareness. Even now, it’s not so dark as we rightly perceive it to be.
But let’s not, for all that, mistake ourselves by embracing the misapprehension that the inauthentic is anything but that. We can consume what is in front of us, gratefully, but with remembrance of the good things now gone that passed our way.
And yes, I am alone in the cold of a winter’s day. Not sure about you, but it would please me to think that you are snug in your bed – preferably (it must be allowed) alone.
And with that, I bit Christine a gentle good night, with thanks for sparing us a little of her love.
TIMSHEL